dammit how did you know about this top-secret info!!?

(he's the Roommates writer BTW)

I am so excited for Roommates! Hmm Question.... What real life experiences did you put into the writing if any?

Pleased to meet you, MrEnvy8! ^_^v



I'm also looking forward to Roommates. The cast seems really fun. How long have you been working on it?

I am so excited for Roommates! Hmm Question.... What real life experiences did you put into the writing if any?

Glad to hear it! I'm working hard to make it fun. I can't really point to a specific thing in the script and say "I did that" (Except for that one time I lived at a college dorm with five diverse and wacky characters, having adventures and learning how to live and love while raising my stats through an interface that I didn't notice at the time, but now seems really odd... I totes did that).



But like any writer, I take the things I've seen, the places I've been, the people I've known and I stick those bits into the gaps of the story. I did go to an American university. I hung out with my friends in both their dorms and their off-campus housing, attended my share of college parties, etc, etc. So those experiences help inform my writing, but I can't say specifically: Scene 23 is a party I actually went to where that exact thing happened.

Pleased to meet you, MrEnvy8! ^_^v



I'm also looking forward to Roommates. The cast seems really fun. How long have you been working on it?

Nice to meet you as well! Looks like we're the two newbies on the block, eh (Relatively speaking)? How long? A few months or so now. But if Jack asks, it's only been two weeks. I want him to think I'm super fast



(Edit: Look'it me, all tryin' to spell in my code tags...)

You ARE superfast. Really, considering the amount of writing you've done so far...! And it's not a problem to take breaks, I know well because <coughs> in theory I'm a writer too (even if I found out very soon that is better if I leave the job to more skilled people ). So it's normal to have moments where you write 10,000 words in a week and others where you simply need to take a break to recharge the batteries / find inspiration

The important thing for me is not to quit a project mid way which was really painful when it happened in the past (luckily I have to say not many times).

Nice to meet you as well! Looks like we're the two newbies on the block, eh (Relatively speaking)? How long? A few months or so now. But if Jack asks, it's only been two weeks. I want him to think I'm super fast

*claps* Impressive. And yes, we're the new writers on the block. I started writing for Spirited Heart 2 less than a month ago.



And I'll keep an eye out for scene 23.

The more writers the merrier I say! Looking forward to each of you alls work.

Hi, so I'm the editor/writer/whatever you wish to call me for Nicole.



I was dragged here by a lazy cat, but I hope to get to know everyone here better!

Nice to meet you Sparky!

Salutation sparky!

I would say hello and pleased to meet you, but I did drag you here.



And I'm not lazy. =<



Basically poor Sparky was the writer I tied up and dragged as a sacred offering for Jack to help him with Nicole. >.>b Jack seemed pleased since he accepted the sacri- I mean, Sparky.

Welcome Sparky, I'm really looking forward to see how you'll fix/improve Nicole's script

Very nice to read about you all. On another note Jack, why are nearly all your writers of the female variety? http://board.elsword.de/wcf/images/avatars/avatar-14872.jpg" style="max-width:100%">

Is just a coincidence, actually right now is more balanced since there are 3 male writers (Roommates, Nicole & Amber Magic Shop). Plus there's another male writer who helped with Loren 2 plot outline and could work on a new RPG in future

Wowies. Seeing just how many people are working for Jack makes me realize just how many titles at once are in work.

*squishes all of you*

http://2.bp.blogspot.com/-GrcSQbJF-8U/T0m1OgEm3bI/AAAAAAAAA5c/PWTSg7Dl3oM/s1600/group%2Bhug.jpg" style="max-width:100%">



We'll do our best. ^^v

Haha nice pic

It's nice being able to see all of your discussions and responses here! Apparently I need to follow twitter & the blog more if I want more insights. :O



Question for the writers: How is writing for a game different from other forms of writing, like a short story or novel? How do you keep track of the variables (and how many variables)? One of my favorite things to do on games like WW's is to replay as different characters/personality types and see how my choices affect the scenes I get, but how do you determine what things to change?

New to the forums, or more like new to registering anyway: I'm the long-winded, purple-proseish writer for Amber's Magic Shop who builds houses in Minecraft with his many writer's blocks. But I suppose I'll take a crack at answering this question anyway, even if I am the least suited among the writer staff to do so.



I would say the difference in writing for games versus 'regular' writing depends entirely on the genre and the style of the game in question. Certainly, writing for a visual novel, especially ones with stat-building rpg-ish game mechanics is very different from most regular writing, with perhaps the exception of writing a choose-your-own-adventure story. Even though I (mercifully for myself) don't have to handle the programming aspects or (mercifully for you) the artwork, I've still had to learn a bit of coding as I progress, as well as take player choices into account, which is something I've never had to worry about when writing books. But other kinds of games, like first person shooters or action platformers and the likes tend to be very linear in their story progression, and especially with the former, a lot of storytelling goes on in scripted cutscenes, which makes writing for those kinds of games very similar to writing movie scripts, just making note of when in the game a scene takes place, stage directions for the programmers and model-riggers, and cues for the voice actors. Games like the Elder Scrolls series are probably the most alien, since you have to try to write a story with enough meat in it that the player won't feel like it's just tacked on, but in an open world where the player is very likely to not see the story in the order you intended - for that you'd need to write your story in bite-sized modules that interconnect without one necessarily depending on the other having been seen first, and sparingly funnel the player through choke-points when there's something they HAVE to see before other events. That also has bits of the choose-your-own-adventure kind of writing to it, but obviously can get much more complicated and convoluted.



As for keeping track of the variables, as a personal preference I tend to just memorize the best I can so that as I'm writing a new event I can spot a good point to reference an earlier flag, etcetera, and if I feel like it's been a while or a scene just needs more variance to make it feel organic, I'll go back and see if there's any flags I may have forgotten that I can call to. It may make for a lot of extra coding, but I prefer having lots of flags, so I can have choices effect lots more than just the ending.



Hopefully that answers your question

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